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Entry Point Request for Proposals, 2019

Entry Point Request for Proposals, 2019

Click on the link above to download a Microsoft Word version of the application.

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  • Cleveland Public Theatre

    12 hours ago

    Cleveland Public Theatre

    I have experienced very little that is so achingly nuanced, brilliantly joyful and unashamedly black as the work of Lisa Langford.

    Rastus and Hattie, How Blood Go...

    Her poetry calls us to open ourselves to the rawness/realness/realness?? of those places in us, between us that we accept as immovable and unchangeable, to which we believe ourselves to bound.

    It can be hard – to open, especially when we think we already are. It can be hard – when it is a cracking, a shattering we think we are being asked to do - an opening done with a hammer.

    But when the opening feels soft or warm or gentle - like a familiar hand extended, touching the left chest or the eyelid or the forehead – catching your breath, evoking a smile…. Lisa’s poetry is that warmth, that joy. That sadness/worry/love spanning generations you feel when you remember your grandma’s touch, the smell of her rose water.

    It invites you – invites you to open – to see and to know the joy, the love, the pain – those complex truths. Truths about blackness, about whiteness, about love/joy/legacy, about us.

    ~Darius

    #RastusandHattie

    Ananias J. Dixon, Nicole Sumlin, Jeannine Gaskin, Rachel Lee Kolis, Adam Seeholzer     ... See MoreSee Less

    Rastus and Hattie | Cleveland Public Theatre

    cptonline.org

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