BREAKOUT SESSION (OR FROGORSE)
About The Playwright: Nikkole Salter
Nikkole Salter has written 8 full-length plays, has been commissioned by 6 institutions to create full-length works, has been produced on 3 continents in 5 countries, and has been published in 12 international publications. Her work has appeared in over 20 Off-Broadway, regional, and international theatres. The National Black Theatre production of her play Carnaval was nominated for 7 AUDELCO awards and won for Best Ensemble Performance. Nikkole is a 2014 MAP Fund Grant recipient, a Eugene O’Neill Theater Center National Playwrights Conference semi-finalist, USA Fellowship nominee, and a two-time Playwrights of New York Fellowship nominee. In addition to Breakout Session, she is currently working on commissions from Woolly Mammoth, a musical with Neworks Productions, and is in development to write the television adaptation of Claude Brown’s New York Times Bestselling novel, Manchild in the Promised Land.
About the director: Beth wood
Beth Wood joined the CPT staff in 2007. A director, actress, administrator, designer, educator, and theatre technician, she holds a BA in Communications and Theatre from John Carroll University. As a director of adventurous scripted work, she has been honored as a director of superior achievement by the Cleveland Critics Circle in 2016, 2015, and 2013, and has directed over 20 productions, including nine world premieres and eight regional premieres, during her fourteen-year tenure at CPT. In addition to her directing work, Beth supports four New Play Development series that invest in outside-the-mainstream work and the artistic growth of Northeast Ohio creators. In 2016, she was awarded a TCG Leadership U[niversity] Continuing Ed grant to research long-term new play development models across the country. Her CPT directing credits include Breakout Session (or Frogorse) by Nikkole Salter, Gloria by Branden Jacobs-Jenkins, Lines in the Dust by Nikkole Salter, the NNPN Rolling World Premiere of in a word by Lauren Yee, There Is a Happiness That Morning Is by Mickle Maher, Barbecue and Antebellum by Robert O’Hara, FEVER/DREAM by Sheila Callaghan, Why Torture is Wrong and the People Who Love Them by Christopher Durang, and BOOM by Peter Sinn Nachtrieb. In addition to her work with scripted productions, Beth co-creates and directs original plays based on a comedic singing duo, The Loush Sisters, for Playhouse Square in 2011 and CPT in 2013, 2015, 2017, 2019, and 2020 (virtual performance). Beth’s CPT acting credits include Hedwig and the Angry Inch, Mrs. Bob Cratchet’s Wild Christmas Binge, A Bright Room Called Day, Fefu and Her Friends, The Rocky Horror Show, Our Town, Pulp, Matt & Ben, Anna Bella Eema (co-production with Theater Ninjas, now Maelstrom Collaborative Arts), Open Mind Firmament, Don’t Call Me Fat, Akarui, Standing on Ceremony: The Gay Marriage Plays, Earth Plays (Part Two of the Elements Cycle), The Loush Sisters DO the Nutcracker, The Loush Sisters Love Dick’ns (2017, 2019), The Loush Sisters get HARD for the Holidays (Yippie-Kai-Yay Mother-Loushers), and Mr. Burns, a Post-Electric Play. A former Actor-Teacher for Great Lakes Theater, Beth has taught a variety of theatre and acting courses throughout Northeast Ohio and has served as the Technical Director for John Carroll University, Lakeland Theatre, and Stagecrafters.
About The Play
In 2017, CPT and nationally-renowned and award-winning playwright Nikkole Salter were awarded a National New Play Network (NNPN) Commission supporting the development of Breakout Session (or Frogorse), a new play inspired by Cleveland’s Consent Decree with the U.S. Department of Justice.
Breakout Session (or Frogorse) is born from an extensive research and interview process. Before setting pen to paper, Nikkole came to Cleveland to meet with community members, individuals working tirelessly in social justice, and the Policing Commission. She spent an hour and a half in conversation with the Mayor and Chief of Police.
Surprisingly, what Nikkole created is not a docu-drama, but rather an insightful (and, at times, funny) play with deeply human characters. Oh, yeah… and there’s also a bat, canary, crocodile, catfish, and a mantis shrimp.
To believe another’s perspective, there must be trust. Breakout Session (or Frogorse) asks how we can build two-way bridges of trust between us amidst systemic racism.
The meaning behind “Frogorse”
Breakout Session (or Frogorse) is about trusting the validity of perceptions and experiences that may be different from our own. In this popular optical illusion, do you see a frog or a horse? Both images appear, but to see the other, you must change your perspective.
Meet the mantis shrimp! The crustacean with remarkable eyes…
One of the characters you’ll meet in Breakout Session (or Frogorse) is a mantis shrimp. Mantis shrimp have the most complex visual system ever discovered and can perceive colors human eyes are not able to see.
Humans may not be able to see the 9-13 additional colors a mantis shrimp detects, but that doesn’t mean those colors don’t exist. When someone else’s experience differs from ours, how can we come to trust that their perspective is valid?
Click here to learn more about the mantis shrimp.
About National New Play Network (NNPN)
National New Play Network (NNPN) is an alliance of professional theatres that collaborate in innovative ways to develop, produce, and extend the life of new plays. Founded in 1998, NNPN continues to revolutionize the new play landscape through the strength of its member theatres, collaborative efforts, and its nationally recognized programs and services for artists and organizations. Click here for more information.
About NNPN Collaboration Fund
In 2010, in an effort to encourage innovative, pioneering, project-based partnerships among theatres in support of playwrights and new plays, NNPN established its Collaboration Fund. The Collaboration Fund supports innovative partnerships that explore the many different ways theatre companies can work, both together and with playwrights, on the development of a new work. Cleveland Public Theatre and Nikkole Salter were awarded a Theatre-to-Playwright Collaboration which encourages creative partnerships between Member Theatres that pilot new, unexpected projects, stepping outside their normal budgetary confines to work together to develop new plays. Click here to learn more.
About NNPN Commission
Every year, NNPN awards at least two commissions to playwrights who work with Core Member Theatres to develop new work. More than 30 commissions have been awarded to artists all over the country through three programs: the NNPN Annual Commission, the Smith Prize for Political Theatre, and Full Stage USA. Click here to learn more.