Cleveland Core Ensemble


This three day workshop with Raymond Bobgan, Darius J. Stubbs, and Faye Hargate is focused on physical work of the actor, our approach to voice and song, and actor creation. This session will also function as a selection session for future work. This is a way for performers to get to know us and our way of working. This is also a way to test out the potential for performers to be successful in this process and style of work. Free workshop/selection sessions will be held on the evenings of March 25, 27, and 28 (6:30-10:30p). Participants are expected to attend all three sessions. Participation in this workshop is by application only, and applications must be received no later than March 21. Click here for more information.

About Cleveland Core Ensemble

In 2012, Executive Artistic Director Raymond Bobgan began working with a group of actors to create Rusted Heart Broadcast. The principles of this work were guided by Raymond’s long experience in ensemble theatre creation. A core group of actors continue to work together as an ensemble, aligning with the Network of Ensemble Theaters (NET) which defines ensemble as “a group of individuals dedicated to collaborative creation, committed to working together consistently over years to develop a distinctive body of work and practices.”

Cleveland Core Ensemble (Raymond Bobgan, Faye Hargate, Adam Seeholzer, and Darius J. Stubbs) is working on a multitude of projects in collaboration with other theatre artists. The purpose of the ensemble goes beyond the creation of new work, as it also influences the approach to theatre throughout the season, instills core values in the broader artistic work of CPT, contributes to CPT’s community work in events like Station Hope, and forms the pedagogical basis for our education programs.

Artist Biographies


This is Raymond Bobgan’s 13th season in the leadership position at Cleveland Public Theatre (CPT). Raymond specializes in working through an ensemble process to create new performances that are bold, multilayered, and highly physical. Raymond’s work has been seen in Romania, Brazil, Denmark, Serbia, Turkey, the United Kingdom, and Canada and has been featured in American Theatre magazine, Canadian Theatre Review, Theatre Journal, and in Lisa Wolford’s book Grotowski’s Objective Drama Research. Raymond has created many works for CPT including: Red Ash Mosaic; Feefer Rising, with Faye Hargate; Rusted Heart Broadcast; Insomnia: The Waking of Herselves, with Holly Holsinger and Chris Seibert; Cut to Pieces, with Chris Seibert; and Blue Sky Transmission: A Tibetan Book of the Dead, co-produced by CPT and La MaMa ETC (NY).

Raymond initiated the Student Theatre Enrichment Program (STEP) in 1994, a job-training theatre program for teens, co-created the Y-Haven Theatre Project with James Levin which engages formerly homeless men in writing and performing theatre, and initiated Teatro Público de Cleveland, CPT’s resident Latino theatre company, and Station Hope, a community arts festival honoring Cleveland’s social justice heritage and exploring contemporary issues of social justice. Raymond and Cleveland Core Ensemble’s production of Red Ash Mosaic recently toured nationally to New Orleans and Columbus.

In 2017, Raymond received the Cisgender Ally Award at Cleveland’s Transgender Day of Remembrance, and in 2015, received Equality Ohio’s Ally Award. He received the 2017 Governor’s Award for the Arts in Ohio and in 2014 became the first recipient of the Cleveland Arts Prize in the discipline of Theatre. He currently serves as the President of the Board of Directors for the National New Play Network, serves on the Theatre Communications Group Board of Directors, and is the Chair of the Board of the Gordon Square Arts District. Raymond is a two-time recipient of the Creative Workforce Fellowship (2010 for theatre, 2014 for music composition), a program of the Community Partnership for Arts and Culture (now Arts Cleveland).


Faye is a performer, installation artist, educator, and director. She joined the CPT staff in 2009 after working at the theatre as an independent artist since 2007. Appointed to Director of Community Ensembles in 2016, Faye is the Program Director of CPT’s Brick City Theatre, working with youth, ages 5-14 years old, and families who live in public housing, and Cleveland Act Now, working with youth, ages 10-14, who live in Cleveland and surrounding neighborhoods. Thanks to a grant from the Cleveland Foundation’s new mastery-based arts initiative, Faye has led the successful three-fold expansion of CPT’s under-14-years-old theatre education programming. Through this expansion, Brick City Theatre has implemented programming at two additional CMHA community centers, Outhwaite Homes and Riverside Park, and a neighborhood community center, Harvard Services Community Center, while maintaining strength at two ongoing sites, Woodhill Homes and the program’s flagship site, Lakeview Terrace. Now in pilot phase, Cleveland Act Now represents the 6th and final site of this three-fold expansion. In 2017, Faye received the Greater Cleveland Community Shares 2017 Rising Activist Award in recognition of her leadership as Program Director of Brick City Theatre.

Faye is Program Coordinator of Masrah Cleveland Al-Arabi, a new project under the direction of Raymond Bobgan that will develop work by and with Arabic-speaking communities, with the long-term goal of creating a permanent ensemble similar to Teatro Público de Cleveland (TPC), CPT’s resident Latino theatre company founded in 2013. Since 2013, Faye has played a leadership role with TPC, serving as program coordinator and supporting the production of four bilingual devised plays and three Spanish language scripted plays, all produced at Cleveland Public Theatre, among other projects at community events like CPT’s Station Hope and Ohio City’s fall Street Festival.

Faye is a lead CPT artist and a founding member of the Cleveland Core Ensemble. Under the direction of Raymond Bobgan, she has collaborated to create original works: Red Ash Mosaic, Feefer Rising, Fire on the Water (Part Four of the Elements Cycle), Air Waves (Part Three of the Elements Cycle), Rusted Heart Broadcast, Earth Plays (Part Two of the Elements Cycle), and Open Mind Firmament. Collaborating with visual artist, and mother, Joan Hargate, Faye has directed the creation of performance/art installations: She’s Wearing White…, Royal Ann’s Preserve, Echoless Shore, and Fellsalie. She is a 2014 Creative Workforce Fellow, a program of the Community Partnership for Arts and Culture funded by Cuyahoga Arts and Culture. Other notable CPT credits include: American Falls, Akarui, Anna Bella Eema, and The Other Shore. Prior to CPT, she was Associate Artistic Director of Cleveland’s Theater Ninjas (now Maelstrom Collaborative Arts) from 2006-2009 and taught for Cleveland School of the Arts. Faye is a graduate of Ecole Jacques Lecoq (Paris, France) and has performed in France and Portugal. She holds a BA in Religious Studies and Theatre from Bowdoin College (Brunswick, Maine) and trained with Cleveland’s Inlet Dance Theatre. Faye is a Cleveland native.


Since 2006, Adam has worked repeatedly as an artist with CPT’s core outreach programs, the Y-Haven Theatre Project, the Student Theatre Enrichment Program (STEP), and Brick City Theatre. Starting in the summer of 2014, he brought that experience to his role as a full-time staff member, providing leadership and helping to grow these programs. Adam received a BA in Theatre Arts at Cleveland State University, where he studied with Holly Holsinger, a longtime CPT artist. He trained at Second City (CHI), SITI Co. (NYC), and graduated from Cleveland Improv Institute’s performance school. His acting credits include: Woyzeck: A Proper Murder and The Excavation with Theater Ninjas (now Maelstrom Collaborative Arts). CPT acting credits include: The Other Shore; Open Mind Firmament; At-TEN-tion Span; Poor little Lulu; Earth Plays (Part Two of the Elements Cycle); numerous original performances at CPT’s annual Pandemonium event; Rusted Heart Broadcast; Air Waves (Part Three of the Elements Cycle); F*** Me, Love Me, Aphrodite; and American Falls. Adam is a founding member of the Cleveland Core Ensemble and performed in Red Ash Mosaic last spring. Adam is a proud Cleveland native.


Darius J. Stubbs is a poet, playwright, performer, vocalist, educator and transgender advocate who has been living and working in Cleveland, OH since 2006. Artistically, he has collaborated with many fine creative thinkers across the city. Selected acting credits include Rusted Heart Broadcast (CatManDu, Cleveland Public Theatre ’13), Titus Andronicus (Aaron the Moor, Cleveland Shakespeare Festival ’10), Comedy of Errors (Sir Balthazar, Great Lakes Theatre ’09), and The Boys Next Door (Lucien P. Smith, Medina Showbiz ’07). His artistic home-base continues to be among the artists who work under the visionary guidance of Raymond Bobgan. At CPT, Darius has been involved in the creation of over a dozen original performance pieces spanning the genre spectrum from performance art to fully-staged production. For the last 3 years, Darius has been a member of the Cleveland Core Ensemble and played the lead role in their original play, Red Ash Mosaic, directed by Raymond Bobgan. Darius has also lent his talents as an instructor for CPT’s education programs, including the Student Theatre Enrichment Program (STEP), a summer theatre intensive for Cleveland teens; the Y-Haven Theatre Project, assisting previously homeless men in recovery from chemical dependency to express themselves through performance; and Brick City Theatre, a summer and afterschool theatre performance program for children living in CMHA housing. As an advocate for Transgender Clevelanders, Darius actively seeks to lend his voice to the chorus of others in the city who are fighting to make sure that the “T” in LGBT does not remain a silent one. Darius has been a featured speaker in an array of venues and events, including TedXCle 2015 “Untold” series, City Club of Cleveland’s Forum on Transgender Identity in Northeast Ohio, CPT’s Station Hope and Guide to Kulchur’s “Uncanny Voices” series. In 2015, Darius was highlighted among Scene Magazine’s “Cleveland People” series, presenting Clevelanders who are “working every day to make the city better, to drive it forward, to contribute to its successes and rectify its shortcomings.” In July of 2016, Darius was awarded the Greater Cleveland Community Shares Rising Activist Award. Most recently, he was fortunate enough to have his poem “If It Takes a Village” published by GTK Press in A Race Anthology: Dispatches and Artifacts From A Segregated City.

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