The Creative Production Team Includes:
Beth Wood – Line Producer
Tyree Franklin – Stage Manager
About the Playwright: Nina Domingue
Nina Domingue is a well-respected and sought-after actress and playwright. Ya Mama! was developed in the CPT Big Box series before debuting in the NY International Fringe Festival in 2011, and then returning to CPT’s 2011/2012 season. Nina received a Bachelor of Arts in Theater Arts from Dillard University of New Orleans and a Master of Fine Arts in Acting from West Virginia University. Nina was described by nytheatre.com critic Andrew Rothkin this way: “Domingue, an eloquent artist of more colors than Crayola, and who has the refined skill of someone twice her age.” The Plain Dealer described her performances as “Must-see theatre!” Credits include Medea at 6:00 (Ensemble Theatre), Project1Voice 2015: Home by Samm-Art Williams (starring James Pickens, Jr. – Grey’s Anatomy), Project1Voice 2014: for colored girls… (lady in orange, Dale Shields), It Hasn’t Always Been This Way by Ntozake Shange (Off-Broadway, Diane McIntyre), Venus (The Venus Hottentot, CPT), Merry Wives of Windsor (Mistress Quickly, Great Lakes Theater Festival), Nickel and Dimed (Multiple Characters, co-production between CPT and GLTF), for colored girls… (lady in red, Karamu House, Terrence Spivey). Solo show credits include NY International Fringe Festival, Ya Mama! (developed in CPT’s Big Box series), No Child… (CPT), The Little Mermaid (Cleveland Play House, Pamela DiPasquale), A Jewel of a Tale (commission by Cleveland Play House). Independent film: Bringing Henrietta to Life (Henrietta Lacks), The Passageway (Dr. Collins), A Day of Racism (Sancha). She made her mainstage directorial debut at Karamu 2.0 with the American premiere of The Adventures of the Black Girl in Her Search for God by Lisa Codrington. Awards and honors include: Best Actress in a Play (Cleveland Theatre Collective, lady in red), Memorably Distinctive Performances in a Theatrical Season (Cleveland Theatre Collective, 2004-2005 Season), and The Plain Dealer has said that Nina is “…a young Anna Deavere Smith” and watching her is “like a master class in acting.” Nina is a wife and mother of five, her greatest work to date.
About the Director: Nathan Henry
Nathan Henry is Line Producer and Director of Marketing and Communications at Karamu House, where he has worked as a multi-disciplined artist for nearly a decade. Credits for Karamu include: director of the critically-acclaimed production of Passing Strange; director and choreographer of the regional premiere of Lee Summers’ From My Hometown; director of Dale Orlandersmith’s Yellowman in collaboration with NYC’s Project1Voice; and associate director of the regional premiere of Tony Kushner and Jeannine Tesori’s Caroline, or Change, a co-production with Dobama Theatre. He also served as line producer for the world premiere of Believe In Cleveland, the American premiere of The Adventures of the Black Girl in Her Search for God, and the regional premiere of Sassy Mamas – all at Karamu House. Select regional credits include: August Wilson’s Seven Guitars, Elton John and Tim Rice’s Aida, Smokey Joe’s Cafe, Ain’t Misbehavin’, The Wiz, Once On This Island, Anything Goes, and Guys & Dolls, among many others. He has worked with The Kennedy Center for Performing Arts TYA/USA, Cleveland Play House, Cleveland Public Theatre, Great Lakes Theater, Dobama Theatre, Beck Center for the Arts, Ensemble Theatre, Porthouse Theatre, Cain Park, Playwrights Local, The Maltz Museum, The Musical Theater Project, Case Western Reserve University, Kent State University, and Talespinner Children’s Theatre, where he sits on the board of directors.