Author Archives: Kim Furganson

Cleveland Public Theatre is looking for a Marketing Coordinator

Cleveland Public Theatre (CPT) is hiring a Marketing Coordinator with one to three years of experience to join the Audience Engagement Department. They will work closely with the Director of Audience Engagement & Marketing (DoAEM) to ensure consistent branding across marketing materials. The Marketing Coordinator will create and deploy weekly eblasts, update the website, create social media posts, and perform other duties as assigned. They will also offer input and assist the DoAEM implement marketing campaigns.

The person in this role is a confident self-starter who can work independently and as part of a team. They maintain strict confidentiality regarding company data, demonstrate high integrity, loyalty, and professional accountability while building trustworthy relationships with peers and leadership, and handle sensitive information with care and discretion. They can also thrive in a fast-paced environment while meeting deadlines.

The annual salary range is $46,000 to $48,000, depending on experience, with an expected schedule averaging 45 hours per week.

Review of candidates will begin immediately. Please submit application materials by email as directed below. No phone calls, please.


JOB DESCRIPTION
The Marketing Coordinator is a salaried position reporting to the Director of Audience Engagement & Marketing (DoAEM). The coordinator helps meet departmental goals by building audiences and expanding the reach of CPT’s artistic and education programming and fundraising efforts, regionally and nationally. CPT’s audience engagement work goes beyond ticket sales to bring together the many communities of Greater Cleveland.

The person in this position is responsible for supporting CPT’s audience engagement and marketing activities and initiatives through email, social media, the website, and other channels. The coordinator also works inter-departmentally to create audience engagement materials for all departments and events. The coordinator also works with the DoAEM to create audience engagement and marketing materials for CPT’s internal companies Teatro Público de Cleveland, Masrah Cleveland Al-Arabi, and Cleveland CORE Ensemble.

The ideal candidate is adept at creating compelling digital content, including social media posts and email campaigns. They have experience with website management software like WordPress. This position requires strong organizational abilities, patience and flexibility, attention to detail, a passion for the arts and CPT’s mission, and a desire to grow and learn new skills. The successful candidate will be collaborative and able to work independently, imaginative, organized, adaptable, receptive to feedback and willing to take initiative, and have experience working with a diverse range of constituents.

Education Requirements
Candidates should have a bachelor’s degree in marketing or digital marketing, at least one year of related experience, or an equivalent combination of education and experience. Digital marketing experience and basic graphic design and layout skills are highly desirable. We will also consider candidates with an education in graphic design and proven marketing experience.

Responsibilities include the following, as well as other duties as assigned:
• Develop robust content-rich materials for CPT’s patron emails, and manage distribution of electronic newsletters and pre- and post-show patron emails.
• Create and update website content.
• Create graphics using Canva or other software for digital and online platforms.
• Occasionally assist with the layout of print materials.
• Work with the DoAEM to create a marketing calendar for the season.
• Proofread marketing materials with the Audience Engagement team and other departments.
• Provide support and assistance to the Director of Audience Engagement & Marketing for audience engagement initiatives and other duties related to audience development and the marketing of CPT productions and events.
• Take photos and cell phone videos for CPT events at opening weekends, community meetings, and promotional events (some nights and weekends are required).
• Apply a keen understanding of what makes compelling content for diverse audiences.
• Nurture and develop relationships with artists, vendors, and community partners, including interviewing artists and staff for behind-the-scenes features for upcoming shows and initiatives.
• Research and implement new methods of reaching audiences.
• Create marketing reports on social media and email metrics.
• Help to install promotional displays such as posters.

Knowledge, Skills, and Abilities
• Experience creating and distributing e-newsletters; familiarity with e-newsletter platforms, WordPress, and/or basic HTML.
• Familiarity with Mailchimp or other e-marketing software.
• Familiarity with customer relationship management (CRM) software.
• Project management skills.
• Writing and content creation skills.
• Exceptional proofreading skills.
• Digital video editing skills.
• Deadline-driven and able to manage and prioritize multiple projects simultaneously.
• Basic Experience with InDesign, Canva, and/or Adobe Illustrator; Vimeo; search engine optimization (SEO); CRM systems; and SMS marketing.
• Experience with social media scheduling software.

Skills that are a plus
• While CPT’s productions are primarily in English, the theatre is home to Teatro Público de Cleveland, the theatre’s Latine theatre company, and Masrah Cleveland Al-Arabi, CPT’s theatre celebrating the Arabic-speaking community; thus, fluency in Spanish or Arabic is a huge plus.

CPT offers a benefits package that includes:
• Medical, dental, and vision insurance.
• Short-term and long-term disability.
• 401(k) plan.
• Paid time off.
• Free tickets to performances and events.
• Potential to work remotely one day per week, depending on the departmental and staff needs and organizational schedule.

Physical Demands
• Sitting at a desk for long periods.
• Occasionally lifting packages.
• Hanging posters

HOW TO APPLY FOR THE POSITION
To apply for the position, email the following items to Kim Furganson, Director of Audience Engagement & Marketing, at kfurganson@cptonline.org by September 23, 2026:

• Subject line of email should read: YOUR LAST NAME, Marketing Coordinator.
• A cover letter explaining your qualifications and interest in the role.
• A work resume
• At least 3 samples of your work (can be links to social media posts, or screenshots, of social media posts you created, sample e-newsletters.)
• Three professional references who can speak to your ability to successfully do the job. References can be past employers, college professors, and other people qualified to speak to your experience and character.
• Optional: artist resume.

ABOUT CLEVELAND PUBLIC THEATRE
Cleveland Public Theatre cares passionately about pursuing diversity at all levels of the organization. We value hard work and strive to center courage, humanity, integrity, representation, respect, and joy while challenging each other to do and be our collective best. Historically, many plays produced at CPT are by BIPOC artists and women. CPT has undertaken work to accelerate and formalize its progress toward becoming a fully anti-racist organization, engaging all staff, board members, and artists in that work.

A nationally recognized center for contemporary performance, the theatre’s mission is to raise consciousness and nurture compassion through groundbreaking theatre and life-changing education programs. CPT implements this mission through its annual theatrical season, featuring adventurous professional productions and a robust series of new play development programs that support writers and devisers at multiple points in the creative process. CPT’s acclaimed education programs engage communities in devising new works that speak to contemporary issues and empower participants to work for positive change in our community. CPT is home to community ensembles Teatro Público de Cleveland and Masrah Cleveland Al-Arabi,community arts festival. CPT’s annual budget is approximately $2.5 million.

For applicants who are considering relocating to Cleveland: our city is an excellent community in which to live, with top-notch arts and culture, a vibrant theatre scene, beautiful public parks, a great lake, great cuisine, and affordable housing. The theatre is in the Gordon Square Arts District, a popular local destination for entertainment, dining, and visual art, just steps away from Lake Erie.

CPT is Hiring Part-Time Supporting Teaching Artists

CPT is HIRING PART-Time Supporting Teaching Artists 

Cleveland Public Theatre (CPT) is seeking passionate, collaborative Supporting Teaching Artists to join our nationally recognized Education Department beginning this fall. 

Working alongside experienced Teaching Artists, you’ll help young people create original theatre through storytelling, movement, ensemble-building, music, writing, and performance. You’ll become part of a collaborative team that believes the arts can strengthen communities, nurture empathy, and inspire young people to imagine new possibilities. 

We’re looking for artists who are excited to mentor youth, embrace collaboration, and contribute to CPT’s ongoing commitment to racial and economic justice. 

 About Our Program 

CMHA Cleveland Act Now (CMHA CAN) 

CMHA Cleveland Act Now (CAN) is a free after-school performing arts program offered in partnership with the Cuyahoga Metropolitan Housing Authority. Programs take place within CMHA community centers, where young artists devise and perform original theatre inspired by their own stories and experiences. 

Students explore acting, movement, music, poetry, creative writing, visual art, and ensemble creation while developing confidence, communication skills, creativity, and community. 

CMHA CAN currently serves youth at: 

  • Lakeview Terrace 
  • Outhwaite Homes 
  • Riverside Park 

Each ensemble presents an original production each year along with additional smaller sharing opportunities throughout. 

 What You’ll Do 

Supporting Teaching Artists play an active role in every rehearsal and classroom. This is a highly collaborative position that combines artistic mentorship, classroom support, and creative problem-solving. 

Responsibilities include: 

  • Building positive relationships with young artists 
  • Supporting theatre games, warm-ups, and ensemble activities 
  • Assisting students as they create original performances 
  • Encouraging creativity, confidence, and collaboration 
  • Helping prepare performances and community events 
  • Supporting classroom organization and daily logistics 
  • Collaborating closely with Teaching Artists, Site Coordinators, and Education staff 
  • Participating in training, meetings, and ongoing professional development 
  • Assisting with communication, documentation, and other program needs 

 We’re Excited to Meet Artists Who Have Experience In: 

  • Acting 
  • Directing 
  • Playwriting 
  • Movement or physical theatre 
  • Dance 
  • Music 
  • Devised theatre 
  • Poetry or spoken word 
  • Creative writing 
  • Puppetry 
  • Storytelling 
  • Visual arts 
  • Other performance-based disciplines 

You don’t need experience in every area. We value artists with curiosity, generosity, and a willingness to learn. 

Successful Supporting Teaching Artists Tend To Be:

  • Collaborative and dependable 
  • Excellent communicators 
  • Creative and adaptable 
  • Comfortable working with children and teens 
  • Organized and proactive 
  • Excited by devised, ensemble-based theatre 
  • Committed to equity and community-centered artistic practice 
  • Positive role models who help young people feel seen, heard, and empowered 

 CMHA CAN Schedule

  • Two afternoons each week (Monday–Thursday depending on site assignment) 
  • Approximately 3:30–6:00 pm 
  • Weekly staff meetings and planning (approximately 1–2 hours) 

 Compensation: $18 – $20 per hour, based on experience. 

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CPT Improves Customer and Donor Experience

CPT Improves Customer & Donor Experience

Renovations to the Cleveland Public Theatre campus are not the only improvements underway!

To enhance our customer and donor experience, the theatre has migrated to a ticketing and fundraising system called CueBox. This customer relationship management software is designed to help improve your online and mobile ticketing experience by making the process smoother and more efficient.

Through the system, you’ll be able to easily access mobile wallet tickets through Apple or Google.

The most noticeable change is what you’ll see when you click on the “Donate” or “Ticket” buttons when you purchase a ticket or make a donation. Please see the screenshots below for examples. The circled images show an example of an “event” page and “donation” page, and the images to the right of each show what patrons will see when they click on those buttons.

We hope that you enjoy the changes and look forward to hearing your feedback.

Note that Pandemonium 2026 tickets will go on sale in August, and an email with the exact date will be sent at that time. Thus, the images below are an example of what the pages will look like.

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Announcing SoftLaunch + The PILOT Project

Announcing SoftLaunch and The PILOT Project!

Cleveland Public Theatre announces two interconnected opportunities for performance creators:

SoftLaunch and the PILOT Project

SoftLaunch 2027

SoftLaunch is a performance festival dedicated to bold experimentation, innovation, and the reinvention of what performance can be. Think installation art, immersive experiences, audience-interactive work, performances for intimate audiences, and work that pushes beyond traditional performance formats!

This weekend-long festival takes place on January 28, 29 & 30 at 7:00pm. Audiences receive a festival pass and journey throughout the theatre, encountering a variety of performance experiments and works in development.

SoftLaunch features work at various stages of development, from early workshops to fully produced, focusing on pieces (or experiences) that don’t fit within typical theatrical structures. SoftLaunch is specifically interested in work that reimagines the relationship between audience, performer, space, and story. The festival is less interested in work presented within a conventional theatre structure (even if that piece is radical) and more interested in projects that explore unconventional forms and new possibilities for what live performance can be!

For example:
Sleep No More an immersive, audience-driven performance in which audiences move through the environment and construct their own experience of the work? YES

Recent Sankai Juku performance conceptually & visually rich, proscenium-based performance presented for seated audiences? NO

*SoftLaunch is open to out-of-state applicants. However, there is no additional financial support for out-of-state artists. If you are traveling, please plan to cover your own travel and take care of all accommodations yourself (housing, per diem, etc.).

CPT provides the following SoftLaunch benefits:

  1. Access to the performance space as early as possible, with additional rehearsal space accommodations when available
  2. Access to available CPT lighting, sound, props, costumes, and scenic inventory (upon request)
  3. Stage management for the festival event
  4. Front-of-house and box office support
  5. Direct mail piece advertising the series
  6. Program/schedule for the event
  7. A project fee between $400-1000, determined by scale, scope, and level of completion
  8. The value of CPT’s investment in each individual project as part of this event is $3,500-7,500

Lead Artists MUST:

  1. Be present on site at all showings of their work (even if they are not performing): Jan. 28, 29 & 30
  2. Attend four cohort meetings on Saturdays: Dec. 5 at 2:30pm-4:30pm, and Dec. 12, Jan. 2 & 9 at 10am-noon
  3. Attend the following Tech/Dress Rehearsals, which are required for all participating artists. This schedule reflects feedback from artists over the past two years requesting additional opportunities to experience each other’s work.-Tech Rehearsals: Wed. Jan. 20, Thurs. Jan. 21 & Fri. Jan. 22 (all tech work must be completed by Jan. 22).

    -Tech/Dress Weekend: Sat. Jan. 23 & Sun. Jan. 24 (artists will experience one another’s work & run projects simultaneously) 

    -Final Dress Rehearsals: Tues. Jan. 26 & Wed. Jan. 27, 6:00pm–11:00pm (both days required) 

  4. Ensure all artistic content is owned by the artist, or the artist must have authority to use material (in case of adaptation or inclusion of other content).
  5. Lead their own independently contracted creative teams (performers, designers, technicians, etc.).
  6. Attend wrap-up meeting on Sat. Feb. 13 at 1pm

There are three ways artists can get involved in SoftLaunch:

  1. Apply with your piece through the Google Form Application here.
  2. Apply for The PILOT Project by Sept. 2nd, 2026: PILOT Project
  3. If not currently attached to a project, express interest in being considered for collaboration (acting/tech/volunteer), and CPT will share that interest with SoftLaunch creators. Please send your resume and headshot to aurozhaeva@cptonline.org with the subject line: “Collaborators for SoftLaunch.”

SoftLaunch applications are due no later than November 3, 2026.

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CPT Is Hiring a Graphic Designer & Content Coordinator

CLEVELAND PUBLIC THEATRE IS HIRING A graphic designer & content coordinator

Cleveland Public Theatre (CPT) is hiring the newly created position of Graphic Designer & Content Coordinator who is a core part of the CPT staff and will make a meaningful contribution to life at CPT and our community impact. All prospective candidates must make a commitment to centering antiracist and anti-oppressive practices in their work.

Review of candidates will begin immediately. To apply for the position, send an email to careers@cptonline.org . This position has an anticipated start date in mid-September – mid-October 2022. Subject line should read: YOUR LAST NAME, GDCC. The email should include the following attachments: a resume, portfolio design samples of printed, online content materials and links to video/film content no more than 3 minutes long. via JPG or PDF files, and a two-page cover letter describing your related experiences and why you are interested in this position. No phone calls, please.

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CPT Executive Artistic Director Raymond Bobgan Presents in South Korea

EXECUTIVE ARTISTIC DIRECTOR

RAYMOND BOBGAN PRESENTS IN SOUTH KOREA

Cleveland, OH – At the invitation from Busan Theater Company, Cleveland Public Theatre’s Executive Artistic Director Raymond Bobgan travels to South Korea June 30- through July 7, 2022 to lead an acting/creation workshop, and present on symposia.

“I am so grateful to Hyeja Ju and everyone involved in making this exchange happen. Hyeja’s work advancing the rights and status of women in Korea is inspiring and her artistry is impressive! I am excited to learn from her and the other artists involved. I am also looking forward to sharing about CPT’s artistic work and philosophy and about our impact locally and beyond. Not only will this continue to build our relationships internationally, but I believe we gain new insight in our own struggles and challenges when we connect internationally. And I believe perspective is something we, I, really need at this time.” –CPT Executive Artistic Director Raymond Bobgan.

During this trip, Bobgan will engage with multiple arts organizations and will participate in a symposium hosted by Busan Theater Company Actors, Audiences and Space (B.K.G), conducted in connection with the Global Women Performing Arts Festival in which CPT has participated in the past.

The topic of the symposium is “Seeking Wisdom in World Theatre: After COVID-19, the Future of Women and Performing Arts,” and is a place for performing artists and planners from Korea, the United States, and Japan to meet and discuss the future possibilities for theatre.

Raymond Bobgan will attend meetings with Seo Seung-woo, head of the Art Management Division of the Busan Cinema Center, a landmark of Busan, known in South Korea as the “city of cinema;” then, visit Busanjin-gu, Geumjeong-gu, and Buk-gu to hold meetings with cultural and artistic administrators of the Busanjin Cultural Foundation, Geumjeong Foundation For Art & Culture, and Buk-gu Cultural City Support Center.

This trip is a continuation of CPT’s relationship with director, creator, and arts leader Hyeja Ju. In 2019 Cleveland Public produced Good at Heart directed and created by Hyeja Ju. This physical, non-verbal performance inspired by the story of Anne Frank was presented at the BorderLight Festival and supported by The Cleveland Foundation’s Creative Fusion Program.

Raymond is joined on this trip by Kent State University Associate Professor and Lighting Designer Jakyung Seo.

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