The PILOT Project 

The PILOT Project is a learning community guided by Cleveland Public Theatre’s Executive Artistic Director, Raymond Bobgan, with the explicit goal to explore new forms and new innovations in theatrical performance. This is a workshop where artists will become PILOTs (in a sense) who navigate the expansive complexities of theatrical performance. This work is inspired by Raymond’s successful “Directing Creation” course but will be more of a group process and discussion platform. As a learning community, we will engage in stimulating knowledge exchanges around different theatre-inspired performance trends and ideate around new forms and fresh possibilities. This workshop is a free offering for all artists accepted. Read More ›

CPT is seeking part-time Substitute Teaching Artists to assist in implementing CPT Education programming beginning in the Fall. Theatre experience is a plus. We are looking to build a strong core of artists who are dedicated to creating work to further racial and economic justice. Read More ›

CPT is seeking ongoing, part-time Supporting Teaching Artists (CMHA CAN, CAN Academy) to assist in implementing CPT Education programming beginning in the Fall. Theatre experience is a plus. We are looking to build a strong core of artists who are dedicated to creating work to further racial and economic justice. Read More ›

Cleveland Public Theatre’s

“Luminous”

2025–2026 Season

Cleveland Public Theatre’s (CPT) Executive Artistic Director Raymond Bobgan is proud to announce the 2025–2026 Season, called “Luminous.”

Luminous lu·mi·nous /ˈlo͞omənəs/: emitting or reflecting light, something enlightened.

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Cleveland Public Theatre (CPT) is hiring for a Part-Time, Ongoing Facilities Associate & Substitute/Overhire Associates to join the CPT staff and contribute to our success and community. This is an integral role at CPT. You will enable impressive theatre and art experiences by collaborating to make a great environment. 

The CPT physical environment is a campus consisting of three buildings and a parking lot. Inside the three buildings are two performance venues, rehearsal halls, and offices. 

Review of candidates will begin immediately and continue until the position is filled. To apply for the position, send an email to Eddie Wilson, Operations Manager, at careers@cptonline.org. Opportunity to apply will close July 31 or when the position is filled. Subject line should read: YOUR LAST NAME, Facilities Associate. Your email should include two attachments: a resume and a cover letter giving examples of work that illustrate the experience required in the description and explaining why you are interested in this position. No phone calls, please.

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APPLICATION DEADLINE: JUNE 30, 2025

CPT is thrilled to announce the next round of Kulas Foundation Composer Fellowships for composers and sound designers.

“The Kulas Foundation Composer Fellowship has resulted in so many wonderful works of theatre and performance and significantly enhanced CPT productions while simultaneously supporting artistic and career development of incredible artists. The fellowship has also resulted in many incredible collaborations that have blossomed well beyond the scope of the program. Some of my favorite moments on CPT stages in the past 10 years involve past fellows, and I can’t wait to see and hear what the future fellows create for our community!”

―Raymond Bobgan, CPT Executive Artistic Director 

What is the Kulas Foundation Composer Fellowship?   

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TEST FLIGHT 2026  

Deadline for submissions is Sunday, July 20, 2025 

Following the incredible success of this past Test Flight series, we’re thrilled to invite you to be part of an exciting new chapter! Our unique blend of education and creative incubation returns, offering artists the opportunity to take bold risks and elevate their work like never before. 

This year, we’re continuing our innovative cohort model, where you’ll learn from and be inspired by fellow artists and experienced producers in a supportive environment. Whether you’re looking to refine your self-production skills or explore fresh ideas, Test Flight is the perfect launchpad for your creative journey. 

Participants will enjoy a full week in the vibrant James Levin Theatre, splitting time between rehearsals and performances, ensuring your project gets the spotlight it deserves. Plus, all the beloved elements of Test Flight remain—intimate workshops, engaging audiences, and the thrill of bringing your vision to life! 

WHAT WILL IT LOOK LIKE THIS YEAR? 

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CLEVELAND PUBLIC THEATRE ANNOUNCES AUDITIONS FOR
THE WORLD PREMIERE OF

Haunted

By Tara Moses

Directed by Nailah Unole didanas’ea Harper-Malveaux

LOOKING TO CAST THE FOLLOWING ROLES

AARON, a 20-year-old (but spiritually, now in his 30s) Native man. A little more jaded but not quite emo. Brother to ASH. Looking to cast someone in late 20s to early 30s. Open to seeing first-time performers for this role. 

ASH, an 18-year-old (but spiritually, now in their 30s) Indiqueer Native person. They are trendy. Looking to cast someone in late 20s to early 30s. Open to seeing first-time performers for this role.

VINCENT JONES, a 30-something Black man who is the realtor of the property. He also plays JERRY, a paranormal investigator.

WHITE MAN, a middle-aged white man who plays the standard single dad in like every paranormal horror movie where he moves his family to a strange, new home to “get a fresh start.” This character plays multiple of those dads. He also plays THE QUAKER.

WHITE GIRL, a teenaged white girl who is the daughter of WHITE MAN and is very upset at him for making her move her senior year of high school. You know, the standard angsty teen in those movies. This character plays multiple of those girls.

WHITE GIRL 2, a teenaged white girl who knows all about the mysterious town lore and befriends the new WHITE GIRL. You know the trope. She also plays THE MEDIUM and another WHITE GIRL 2.0. Read More ›